1. The internet is awesome. Lately I’ve been connecting with artists in far off places that are interested in the same things that I’ve been exploring in my studies and sharing on this blog and through other things places like Instagram.
If it wasn’t for the internet I wouldn’t have connected and had great Google Hangout sessions with awesome people like Adam from Ambrose and connecting with people I’m inspired by like David Greenberger, Christine Hill, Lee Walton and Tania Bruguera.
Not to mention how we run a lot of our MFA classes where we’re able to hook up with teachers (like Lee and Tania mentioned above) and our students that are participating in the program in distant locales like Sharita Towne in Berlin, or Mark Menjivar in Texas or Dillon De Give in New York City.
This a long way of introducing my latest internet connection which I’m really excited about. Strike that, I should really say, re-connection.
I met Breanne Trammell on the internets way back in 2005 when I was putting together shows for my online art gallery, the wurst, which she participated in called Vintage Vandals. 
We recently re-connected on Instagram since we are both teaching and both of our work has seemed to taken the turn towards being socially engaged and also being really focused on our local community. During our conversation there was a lot of overlap on why we’ve been drawn to working this way and how being actively open to all sort of ways of employing our creativity has led to some really interesting places outside of the traditional art context. 
One of her recent projects she shared with me is a great example of this where she’s collaborating with a neighborhood bar in her town to serve as a dynamic advice column. See the video below and send you own questions seeking advice to their e-mail address here!

Introducing “Ask a Regular” Video Advice Column from The Lantern on Vimeo.
Do you know of a really interesting community based art project? Share it with the rest of the world here.

    The internet is awesome. Lately I’ve been connecting with artists in far off places that are interested in the same things that I’ve been exploring in my studies and sharing on this blog and through other things places like Instagram.

    If it wasn’t for the internet I wouldn’t have connected and had great Google Hangout sessions with awesome people like Adam from Ambrose and connecting with people I’m inspired by like David GreenbergerChristine Hill, Lee Walton and Tania Bruguera.

    Not to mention how we run a lot of our MFA classes where we’re able to hook up with teachers (like Lee and Tania mentioned above) and our students that are participating in the program in distant locales like Sharita Towne in Berlin, or Mark Menjivar in Texas or Dillon De Give in New York City.

    This a long way of introducing my latest internet connection which I’m really excited about. Strike that, I should really say, re-connection.

    I met Breanne Trammell on the internets way back in 2005 when I was putting together shows for my online art gallery, the wurst, which she participated in called Vintage Vandals

    We recently re-connected on Instagram since we are both teaching and both of our work has seemed to taken the turn towards being socially engaged and also being really focused on our local community. During our conversation there was a lot of overlap on why we’ve been drawn to working this way and how being actively open to all sort of ways of employing our creativity has led to some really interesting places outside of the traditional art context. 

    One of her recent projects she shared with me is a great example of this where she’s collaborating with a neighborhood bar in her town to serve as a dynamic advice column. See the video below and send you own questions seeking advice to their e-mail address here!

    Introducing “Ask a Regular” Video Advice Column from The Lantern on Vimeo.

    Do you know of a really interesting community based art project? Share it with the rest of the world here.

  2. Cheeto made a guest appearance in Lee Walton’s class today. http://leewalton.com (Taken with instagram)

    Cheeto made a guest appearance in Lee Walton’s class today. http://leewalton.com (Taken with instagram)

  3. I had an amazing time this morning facilitating a class for Wendy Red Star at Portland State University. Her class is titled Making and Meaning and it’s a foundations art class.
We had a great discussion to start it off by going around talking about where the students were originally from, and also what they’re passionate about. This really helped inform what I shared with them in terms of my work but also in the other artist’s work I shared based on their passions. 
We had a great dialog that also brought to my attention some artist’s work that I hadn’t seen before that was really great as well. Below are some links to artists and videos that we watched and talked about. Thanks to all the students that helped make a really fun morning!
Mark Menjivar - You are What  You Eat
Center for Land Use Interpretation 
Mark Warren Jaques - Free Life Center

    I had an amazing time this morning facilitating a class for Wendy Red Star at Portland State University. Her class is titled Making and Meaning and it’s a foundations art class.

    We had a great discussion to start it off by going around talking about where the students were originally from, and also what they’re passionate about. This really helped inform what I shared with them in terms of my work but also in the other artist’s work I shared based on their passions. 

    We had a great dialog that also brought to my attention some artist’s work that I hadn’t seen before that was really great as well. Below are some links to artists and videos that we watched and talked about. Thanks to all the students that helped make a really fun morning!

    Mark Menjivar - You are What  You Eat

    Center for Land Use Interpretation 

    Mark Warren Jaques - Free Life Center


  4. New words learned from Edgar Arceneaux’s visit.

    Noun

    conocimiento m (plural conocimientos)

    1. knowledge, as in acquaintance or familiarity with a person, place, or subject.
  5. Next Monday Jim Goldberg will lecture about his work!

    PSU ART AND SOCIAL PRACTICE MFA LECTURE SERIES

    The public is invited (it’s free, tell your friends)
    Monday Feb 27th, 7:30 pm Sharp! 
    Shattuck Hall Annex at the corner of SW Broadway and Hall on the PSU campus
    Raised in New Haven, Connecticut, Jim started out at Hofstra University studying theology and ended up with a Bachelor of Arts in photography at Western Washington University. In 1979, he received a Master of Fine Arts in Photography from San Francisco Art Institute.

    Jim is a Professor of Art at the California College of Arts and Crafts and a member of Magnum Photos. He has been exhibiting for over 30 years and his innovative use of image and text make him a landmark photographer of our times. He began to explore experimental storytelling and the potentials of combining image and text with “Rich and Poor”, (1977-1985), where he juxtaposed the residents of welfare hotel rooms with the upper class and their elegantly furnished home interiors to investigate the nature of American myths about class, power, and happiness. In “Raised by Wolves” (1985-1995), he worked closely with and documented runaway teenagers in San Francisco and Los Angeles to create a book and exhibition that combined original photographs, text, home movie stills, snapshots, drawings, diary entries as well as single and multi-channel video, sculpture, found objects, light boxes and other 3-D elements. He is currently working on two books on migration in Europe to be published in 2009 and 2010 by Steidl. His fine art is represented by Pace/MacGill Gallery in New York and the Stephen Wirtz Gallery in San Francisco.

    He has received numerous awards and grants including the 2011 Deutsche Börse prize, The Guggenheim Fellowship, three National Endowment for the Arts awards, the Henri Cartier-Bresson Award (2007), a Eureka Fellowship, The Wallace Alexander Gerbode Foundation Fellowship, and both the Hasselblad and ArtCouncil Awards.

    His Editorial clients include: Another Magazine, French Vogue, Nowness, Time Magazine, The New York Times Magazine. Among his Advertising clients are Hermes, and Burberry. 

    For more information on Jim go to: www.jimgoldberg.com
    __________________________________________________________________
    The lecture series is supported in part by Erika and Dave Cianciulli, The Platt Family, Portland Institute for Contemporary Art, The Bear Deluxe, and Makelike. 
    Additionally, the Nina Katchadourian lecture is co-sponsoered by The Philip Feldman Gallery at PNCA. If you or someone you know is interested in sponsoring the lecture series please let us know.
    Next up in the PASPMLS:

    April 2 Nina Katchadourian

    April 9 Design 99: Neighborhood Project

    April 16 LaToya Ruby Frazier (webcast)

    April 23 Borderland Collective (webcast)

    April 30 Slanguage

    May 7 Urban Edibles

    May 14 Mary Jane Jacob 

    May 21 Coco Fusco

  6. We had a really great workshop visit with Edgar Arceneaux from Watts House Project today! Check out his lecture on Thursday at PNCA if you’re in Portland.  (Taken with Instagram at Field Work)

    We had a really great workshop visit with Edgar Arceneaux from Watts House Project today! Check out his lecture on Thursday at PNCA if you’re in Portland. (Taken with Instagram at Field Work)

  7. Talked to Nicole Lavelle’s Design Thinking class this morning at PSU with Adam Moser and Molly Sherman. Thanks for the pic, @alie_eila! (Taken with instagram)

    Talked to Nicole Lavelle’s Design Thinking class this morning at PSU with Adam Moser and Molly Sherman. Thanks for the pic, @alie_eila! (Taken with instagram)

  8. Working with one of my students to find reference material for an animated gif he was working on we stumbled upon this great resource for movie title stills. It’s a total treasure trove.
(via 1920 - 1924 | The Movie title stills collection)

    Working with one of my students to find reference material for an animated gif he was working on we stumbled upon this great resource for movie title stills. It’s a total treasure trove.

    (via 1920 - 1924 | The Movie title stills collection)

  9. Edgar Arceneaux visits Portland!

    GRADUATE VISITING ARTIST LECTURE 

    EDGAR ARCENEAUX

    THURSDAY, FEBRUARY 23RD, 2012 / 6:30PM
    PNCA COMMONS
    1241 NW JOHNSON STREET
    TICKET INFO: FREE & OPEN TO THE PUBLIC
    PLEASE ARRIVE EARLY. SEATING IS LIMITED.

    Probing strikingly incongruent sets of data for patterns of affnity, Los Angeles-based artist Edgar Arceneaux’s conceptual program uncovers meaning in unexpected adjacencies and sees beauty in tangential leaps. The artist’s practice takes advantage not only of his intellectual restlessness but also his wide-ranging technical adroitness, a mix of multidisciplinary skills—including drawing, photography, sculpture, and filmmaking—that figure into the unorthodox installation scenarios he has developed and refined over the last decade. Arceneaux is a recipient of a United States Artist Fellowship,  a  Creative Capital Grant and the Joyce Award, amongst other honors. His work has been featured in numerous exhibitions, including solo exhibitions at   Museum für Gegenwartskunst, Basel, Switzerland; Albion Gallery, London, United Kingdom; Praz–Delavallade, Paris, France; and the Kitchen, New York, New York.

  10. Some exciting things happening down in Australia. Especially love that quote about the majority. Important changes always start with a minority for sure.

    veronicagrow:

    New Moves (Emergent Behaviour)
    We are Finding One Another

    The first 5 weeks have flown by and here is what I am seeing start to emerge. I have spent the last 5 weeks plugging in, getting connected, sending out probes to find like minded people to gather with, collaborate, learn and make. I can feel that we are finding one another now, rapidly as connections or nodes join, and people start to cluster around a new shared intention that is defining new dynamics for a new system with new values for a better world. Personally, to be quite honest I have never fitted into any institution where profit was the main agenda. I have fitted well into organisations where people and learning were the first agenda. When I first started lecturing at RMIT this was the case. Old School people are not part of nor wish to be part of the majority who are wrong. Yes, that’s right, they are wrong because, as Marjane Satrapi author of Persepolis puts it so beautifully: 
    The majority is always wrong. I mean if the majority was right, then we would live in a better world. But the world is not good, which means that the majority is always, always wrong.
    People who are starting to think about new ways of aligning with others and join forces are watching us, supporting us and visiting us, and they are interested in what we are doing because they are changemakers. 

    We are the NEW school, because we can see that there is a massive value in shifting away from the old way of measuring what we value, to a new way of measuring what has value and meaning. This realignment is emergent, and it is definitely more human centred and multidimensional. Harvest Textiles just down the road laid the path for us with their workshops classes and design residencies held in an exciting authentic alternative space.

    Old School is yet another part of a long overdue global change of direction away from valuing individual outcomes in a competitive winner take it all mind set that focuses on short term rewards. This is giving way to one where winning means generating more for both the individual, everyone, and the ecosystem (its called getting over your own ego and sharing). This system is synergistically optimised for a win win for everyone, and at the same time celebrates our individuality when it reveres what each of us can contribute to the world.

    The new moves are from: 
    - scarcity to abundance (sharing)
    - transactional to relational (quality relationships)
    - information hoarding to knowledge creation 
    - isolation to co-creation (make) 
    - passive consumer to active producer (DIY design)
    - child to grown up

    This has been evident in the attitude of Old School visitors and supporters this week who are all sincere authentic relaxed, open, friendly, happy sharers with no ego issues. This is something that we are proud to model. 

    I will name you all, as many of you could not actually make it in person due to your commitments: (I apologise in advance if i miss any of you out). Amadis from Village Well, Michelle from Frankie & Swiss, Marius from RMIT, Narelle Lemon RMIT, Tess McCabe from CWC, Vanessa Wong, Lauren Seaman & Kate Murray, Zoe Sweeny, Tracy, Megan Davis, Rebbecca , Jeff Tan, Liane Rossier, Mimmo Cozzolino, Published by Process, Melbourne Made, Pachinko Pictures, Emma at Harvest Textiles, Valerie Casey of the Designers Accord, Stella Zarella, Justus Magazine, DG Design Network

    I know that there are many other small clusters forming out there and together we are all part of a NEW way of doing things. Doing business, doing education. I anticipate that these clusters will become interconnected, and rise together to make the world a better place. More switched into doing good, and all the old sleeping dead wood will happily fall away. 

    What other clusters do you see forming?

    ps I know I talked about making books, but we had too much talking to do today to also make books. Next saturday a bookmaking class is taking place, so book in if you are interesting in taking part.